Open to the Unexpected

I have just bought the book ‘Adventures in Seeing’ by one of my favourite photography tutors Kim Manley Ort. I have taken several of her e-courses and found them inspirational. The book suggests a series of challenges or ‘Calls to Adventure’ which can be shared through social media (there is a private Facebook group) or one’s blog. This challenge, which is adventure number three seems to call for a blog post. the challenge was to notice what surprises you and let the photographs come to you (of course there is a lot more about this in the book but for the purposes of this blog this captures the essence of it)

The photographs below were taken during the course of a weekend on the Isle of Wight, following paths I had followed many times before but with what you might call enhanced noticing.

The two images above are of water seen through holes in the wooden floor of a bird watchers hide on the Newtown River (we didn't see much in the way of interesting birds!). To me they look rather like planets.

the magpie and periwinkle I came upon the following day while walking on Headon Warren

These final two are from an evening stroll along the beach. A boat trailer half buried in the sand beginning to rust and early evening colours on sand still wet from the receding tide.

Wishing you all a week of 'enhanced noticing'!

Digital Enhancement - The Root of All Evil?

Yesterday we visited a small local craft fayre. There was a variety of goods on offer, including some very attractive pottery, some wonderful coastal paintings and some photography.

I was drawn to a stall selling cards of flower and wildlife images, with close ups of flowers very similar to ones I have taken. On the stall there was a notice saying that none of the pictures had been digitally enhanced, no Photoshop had been used in the making of these pictures. I checked with the photographer if this included Lightroom and it did, the photos were, he said, straight out of the camera. There was an implied inference of moral high ground here.

I suppose it all comes down to why you are taking pictures in the first place. To capture the moment? To preserve the beauty of the scene? To record the facts as they are? Or to make art? I'm not suggesting any of these are mutually exclusive, rather that they are a variety of lenses through which we can view our photographic images.

This is a photograph I took of a deckchair at Shanklin earlier in the week. I took it because it epitomised the seaside of my childhood - I haven't seen a deckchair with a canopy in years - yet unenhanced it doesn't quite capture what I felt to be the vibrancy of the scene.

I feel this second version is a far truer capture of what I was experiencing when I took the photograph. I was experiencing a vibrant seaside resort in full swing on a sunny day in August not a faded out of season vibe. So I cropped the photo a little, bumped up the contrast, clarity and vibrance and enhanced the blue in the picture. I have chosen this example as it is easy to spot the difference between the two pictures. Often the digital enhancements I make are much more subtle, barely visible at all.

For me there is something about honesty here. If I am viewing a photograph in a guidebook or botanical guide, I want to be able to identify the plant or see the view as pictured. I don't want the removal of unsightly pylons to make the scene seem other than it really is. If, however, I am looking to hang a picture on my wall or buy it on a card I want it to look as good as it can, whilst preserving the essence of the subject. I don't for example see anything very wrong in bumping up the vibrancy of the blue on a sea scape, especially if you have seen the sea just that colour blue on a previous occasion. Nor do it see enhancing the colour of a flower to highlight its vibrancy an unforgivable sin, merely exaggerating its jewel-like appearance to give increased pleasure.

This is a photograph of a waterlily straight from the camera. Below is the digitally enhanced version. In addition to the usual adjustments to clarity and contrast etc I have taken down the exposure a little, cropped the image to give greater focus on the lily, and removed a small insect from a petal and a distracting blemish from a leaf - is this version less 'essence of lily' than the other? Not to my mind.

The old adage 'the camera doesn't lie' is of course the biggest lie of all. As a photographer you select the angle and perspective from which you take the photographs, you chose what to include and exclude. In post-processing you enter your digital darkroom to develop your photograph in the way which most resonates with your experience of the view or object that you have taken. It has always been thus.

The advent of Photoshop has however allowed the possibility of new dimensions to our photograpy by adding textures and blending photographs together. I have recently started a new Photoshop course called Fine-Art Grunge which takes photography to a whole new level. This is not about capturing the reality of what we see but rather using individual photographs as tools or matter to create art. I am still very much at the beginning of this journey but am loving it!

I took these photos in the silversmith's in Newport on Friday, they make the most amazing silver spoons. I used the photos I took to play with some of my techniques from the new course - here are the results.

This is a fairly minor adjustment with only a couple of layers - I got braver!

And the final one where I went a bit OTT with the number of layers and textures

Lots to learn on this course so watch this space!

In conclusion I believe that all forms of photography are valid and that none has moral superiority over another. We all have our individual realities and if several of us were asked to write a description of the same photograph we would all write something slightly different, highlighting the different features that spoke to us as individuals. The truth is perhaps that we all see life, pictures, and anything else you care to mention, through the lens of our own interests and experiences so that the viewing of the picture is a dynamic experience. Long live diversity!

I would love to hear your views on this topic so do leave a comment and get the debate going.

Seaside Art Retreat

Last weekend I was lucky enough to go to Felixstowe for a seaside Art Retreat which was organised by one of the people I met at Call of the Wild Soul. Seven lovely ladies met up for a weekend of fun, art, conversation and relaxation thanks to our fabulous hostess Marie and her family.

Of course this kind of event is not without its dangers, the main one being ‘supplies envy’ when looking at the goodies everyone else had brought with them, and which, for some of us, has led to a post weekend online shopping spree!

Rather than write more about the weekend I will post the time capsule I made as part of the course I am doing with Xanthe Berkley. This is my first attempted at Videoing which I found a lot more fun than I expected to and only wish I had taken more film especially on the prom and by the pier. I shall know next time!

Hope you will find time to have a look - enjoy!

Seaside Art Retreat - Take 2 from Barbara Evans on Vimeo.

A Photo Walk in Steephill Cove

As usual we spent the holiday weekend on the Isle of Wight and taking advantage of the long weekend we decided to go over to Ventnor, with the aim of visiting Steephill Cove, a charming spot that can only be reached on foot via the coastal path or by boat. We had only been there once before out of season and were keen to see it in its summer glory.

As we rounded the bend we saw the cove was a hive of activity with kids digging on the beach, in the sea, and generally having a good time.

For grown ups there is the additional bonus of the Wheeler family’s foodie offerings in their restaurant the ‘Boat House’ and the ‘Crab Shack’. We hadn't booked for the Boat House but managed to get a seat at the Crab shack where we enjoyed delicious crab pasties which are the shack speciality, washed down with a glass of cold Muscadet.

Apparently the Wheeler family have been longshoremen at Steephill for 500 years. Nowadays they sell their fresh seafood, look after the beach and hire out deck chairs.

The cove itself was colonized as a resort in Victorian times and boasts a few pretty cottages together with sometimes dilapidated, but ultimately picturesque shacks and huts. Some of these have been turned into attractive holiday accommodation.

It is hard to describe the ambience of the cove which is an attractive jumble of flowers shacks, lobsterpots and cottages.

Don’t miss it if you take a trip to the Isle of Wight.